Lloyd "Fatman" Smith with Louis Jordan
Fatman (lower left) with DJs[NOTE: link updated on 10/13/09 with higher quality versions of two songs.]
This post collects all the solo recordings I've been able to find from Lloyd "Fatman" Smith. Information on "Lloyd Fatman" - as he was generally known - is not super easy to come by. As best as I can tell, he recorded a handful of songs as a solo artist, starting in 1949 and continuing through the 1950s. Aside from a spell as Louis Jordan's personal manager, he also managed the Equadors/Modern Ink Spots/Cardinals - a vocal group whose fascinating history is detailed by the highly knowledgeable Marv Goldberg
here. Marv was also kind enough to send me two of the songs in this post, recorded from his original vinyl, as well as several photos - thanks, Marv!
Anyway, at some point, Lloyd settled down in Philadelphia, where he worked as a DJ for many years. One source mentions him recording "sporadically for local imprints" but, aside from a cover of "Saturday Night Fish Fry" in 1960 and a few stray others, I haven't been able to find much info on specific albums or singles after the 50s. According to DJ Weldon McDougal, people in Philly knew Fatman as a trumpet player and bandleader more than as a singer. In the 60s, he was "in nightclubs more than he was on the air." He booked Weldon's group "The Larks" and was often the MC at places that they appeared.
I think if Lloyd hadn't waited quite so long to begin recording, he might have had more of a solo career. In my opinion, the 10 cuts here easily stand up to the best of the jump blues era . In particular, "Miss Mushmouth" and "Where You Been," both of which were recorded for Okeh in 1956-57, are positively scorching rockers that lay waste to much of the blues shouting of that period. But there's the problem: that period was already pretty much over. Only a select few blues artists, like Big Joe Turner, were able to comfortably ride the first wave of Rock and Roll. Many, many other very talented folks were swept aside by the tidal onslaught of Chuck Berry, Little Richard, Elvis, Jerry Lee and the rest. Still, has anyone ever heard anything like the scattting on "Fat Man's Scat"? How can brilliant weirdness like that remain so obscure? It just ain't fair...
Lloyd was clearly an adept vocal mimic. "Why Oh Why" and "Giddy Up Giddy Up" are very much in the Roy Brown bag, and the vocal mannerisms of Big Joe Turner, Wynonie Harris and Screamin' Jay Hawkins (who was a friend of Fatman's) are evident elsewhere. But the Fat Man absolutely put his own stamp on whatever he did. I wish we had more from him.
Incidentally, aside from the aforementioned Louis Jordan cover, I'm aware of three other cuts that are not included here because I've never been able to track them down. They are "Roll On Mule" and "Little Leg Woman," both from 1949, and "Ain't No Big Thing" from 1963. If anyone has any info on how I might go about getting ahold of these (or any other) tunes by Lloyd Fatman, I hope you'll speak up in the comments section.
Anyway, for now, enjoy some rockin' sides from an obscure madman of the great bygone early rock era.
1. Where You Been (Okeh 7073 - 1956)
2. Miss Mushmouth (Okeh 7083 - 1957)
3. Good Gracious (Okeh 7083 - 1957)
4. Part Time Sweetheart (Okeh 7073 - 1956)
5. No Better for You (Peacock 1611 - 1953)
6. My Clock Stopped (Peacock 1611 - 1953)
7. Giddy Up, Giddy Up (Peacock 1593 - 1952)
8. Why Oh Why (Peacock 1593 - 1952)
9. Fatman (Gotham, unreleased - 1951 - with Frank Motley)
10. Fat Man's Scat (Gotham, unreleased - 1951 - with Frank Motley)
http://rapidshare.com/files/292759399/Lloyd_Fatman_Updated.zip
